From analog to digital: texture and contemporary illustration for an aesthetic of zulian identity

Authors

DOI:

https://doi.org/10.5281/zenodo.18096254

Keywords:

Zulia aesthetics, digital texture, illustration, contemporary art

Abstract

This paper presents research on the evolution of texture from traditional (analog) media to the digital environment, focusing specifically on how it is used to construct an aesthetic of Zulia identity. The research argues that digital texture is not a mere decorative "patch" or a sterile simulation, but rather an act of technical and aesthetic intentionality that activates the viewer's tactile and cultural memory. As a complement, the artistic proposal "Postcards of Faith and Zulia Land" is presented, demonstrating how the use of textural contrast—juxtaposing pristine elements with backgrounds that simulate the wear and tear, saltpeter, and sun of Zulia—evokes feelings of belonging, nostalgia, and historical resilience. The study concludes that, in the technological age, the authenticity of a work resides not in the physical materials used, but in the conscious encoding of signs that resonate with the collective imagination.

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Author Biographies

Edgar Alexander Mendoza Delgado, Universidad Católica Cecilio Acosta. Maracaibo, Venezuela

Master's degree in Philosophy, specializing in Latin American thought. Bachelor's degree in Philosophy and Library Science. Member of the Scientific Committee of the Journal of Arts and Humanities, UNICA. Professor and researcher at the Universidad Católica Cecilio Acosta. Maracaibo, Zulia, Venezuela

Ikram de los Ángeles Novoa Reyes, Universidad Católica Cecilio Acosta. Maracaibo, Zulia, Venezuela.

Final-year student of the Bachelor of Arts program, specializing in Graphic Design. Complementing her studies with the Brand Identity - Creating Distinctive Brands course, offered by the Universidad Católica Cecilio Acosta. Maracaibo, Zulia, Venezuela.

References

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Published

2026-01-03

How to Cite

Mendoza Delgado, E. A., & Novoa Reyes, I. de los Ángeles. (2026). From analog to digital: texture and contemporary illustration for an aesthetic of zulian identity. Perspectives, 14(27), 87–107. https://doi.org/10.5281/zenodo.18096254